The BLAG 08 Digital Companion

Bonus content from the adventures in sign painting in Issue 08 of BLAG (Better Letters Magazine).

Curved side panel from a Waltzer fairground ride, lettered and flamboyantly decorated in bright colours and metal leaf.
Mini Waltzer detail by Russ Thomas whose life in signs is honoured in BLAG 08. Photo © Estate of RJ Thomas.

As with previous issues, here are scores of photos and links that were left on the cutting room floor during the BLAG 08 edit. The post follows the page order of the magazine, serving as a digital companion to the print publication.

Read on for over 100 bonus images, spanning fairground lettering, ghost signs, sketches, work-in-progress shots, and everything in between.


Cover / Poster Insert

When I got back to the UK for Christmas there was a large package waiting for me at my in-laws. I don’t get many presents these days, so I held back from opening it until the 25th. And it was more than worth the wait because inside was the original skateboard that Jill Strong lettered for this issue’s special insert and cover.

This is the real thing before it gets installed in a suitable location at home.

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Flamboyant BLAG by Jill Strong.

Ye Olde Sign Shoppe

Alex and Philip Rearick Jr are the custodians of the B.S. Rearick archive which contains sketches and ephemera such as business cards and ledgers. The shop also owned a number of special publications — including Strong’s Book of Designs, The Coast Manual, and Atkinson’s Shocards — which were often embellished with Rearick’s own drawings and notes.

Certificate with ornate penmanship and a golden seal.
Rearick’s first class qualification from New York Trade Schools, issued in 1891.
View of a room with a high ceiling and tall windows lettering in lots of light while well-dressed men, predominantly standing, work on painting and decorating tasks. One, in the foreground, is sat at an easel lettering a panel, while others wander around inspecting the work.
Detail from an illustration of the painting room at New York Trade Schools.
Typeset copy for "Bruce Rearick & Son, Painting and Decorating" sits at the centre of the top of the page with space for the date and client details. This is flanked left and right by small lettering-based motifs for "Paints, Glass" (left) and "Painting, Decorating" (right).
Letterhead from a 1930s invoice pad.